- Exhibition on the world of women
- A foamy exhibition
- “Dead or alive, if I were a line drawing...”
- Palace tailors’ records open to public
- Yahya Kemal's private writings go public
- Istanbul through Italian eyes...
- Art in felt
- Peace concert at Brussels: 'Music Beyond the Conflicts”
- A synthesis of “Kemence” and Jazz
- New Year concerts by Borusan Philharmonic
- Transportation support for Turkey-Baghdad trade relations
- Turkish Airlines announces 9-month net profit of TL 668 million
- Tourism Transport 'Oscar' goes to Turkish Airlines...
- Turkish Airlines' Hajj Pilgrimage flights get under way
- New food offerings on Turkish Airlines
- 2009 strategies discussed in Hungary
- Interest in 'e-Consulate' is growing by the day
- Turkish Airlines' management meet at Kartepe
A synthesis of “Kemence” and Jazz
A virtuoso of the classical 'kemençe', a small fiddle used in Turkish Black Sea music, Ahmet Kadri Rizeli over the years has engaged in a number of experiments on the instrument.
With his group, the 'Modal Jazz Trio', made up of Nail Yavuzoğlu, Nezih Yeşilnil and Cem Aksel, Rizeli has produced a synthesis of kemençe and jazz music in a new album, 'Jazz Alla Turca'. On the album, Rizeli combines the melodies and rhythms of jazz with the melodies, rhythms and improvisatory nature of Turkish music. With Nail Yavuzoğlu on piano, Nezih Yesilgil on contrabass, and Cem Aksel on drums, the album includes a total of ten works - a joint composition by George Gershwin and DuBose Hayward, a work by Henry Mancini, five works by Nail Yavuzoğlu and three anonymous compositions.
